The Flies by Jean-Paul Sartre 10th year Anniversary Production

Exploring the complexities of human values in a period of political turbulence

Exchange Theatre / The Bunker

Directed by David Furlong

“Essential viewing.” ★★★★ Fringereview

“So much innovation, invention and Energy! Megamulticultural Exchange Theatre have done the unimaginable!” The Londonist

“Amazingly intense.” The Scotsman  

“We must applaud the idea of theatre reflecting the disquieting uncertainty of our times; and this company does that with a real punch.” The Spy in the Stalls

“There is no doubt that it continues to be a relevant story today, in our state of perpetual political tension.” ★★★ Mind the blog


A bloody tale of existentialist freedom

Poster for "The Flies" featuring seven actors standing in a row with serious expressions. The background is dark, and quotes praising the play are at the top. The left corner has a red banner with the hashtag #TheFiles10years.

The Flies is Jean-Paul Sartre’s take on the story of Electra and her brother Orestes. His thriller re-imagines this famous and still relevant Greek tragedy, exploring the complexities of human values in a period of political turbulence. Orestes comes back to his birth-place of Argos to find his people under the oppression of fear and guilt: they all bear the burden of King Agamemnon’s assassination. The flies are the symbol of the burden of fate and disinformation tormenting the city of Argos. As Orestes is hounded by Jupiter, god of flies, fear, and death, The Flies examines freedom, oppression, and courage.

With a live-rock band, a physical raw organic direction, and the support of a multi-screen video design, Exchange Theatre presents a very contemporary version of the play: The Greek tragedy of Electra and Orestes re-imagined by Jean-Paul Sartre is now transformed into a thrilling rock opera. As a company priding themselves in their international and multi-cultural heritage, Exchange Theatre’s The Flies will be performed alternately in French and English in tribute to Sartre’s roots, and the 1943 play’s origins as a political allegory.

A man singing into a microphone on stage with yellow and orange lighting, with a band playing in the background, and a red flag with an eye symbol.

Creative Team

Directed by David Furlong

Assistant Direction by Paloma Jacob-Duvernet

Set design by Ninon Fandre 

Costume Design by Sarah Habib 

Movement by Jennifer Kay 

Associate Artist and Fight Direction by Kevin Rowntree 

Lighting Design by Julien Bernard Grau 

Video Design by Giuliana Pulcini and Camille Dufrénoy

Operator: Catja Hamilton 

Music Directed by Paco Esquire

With the live rock-band A Riot in Heaven and musicians Leo Elso, Billy Boguard, and Thomas Broda

With David Furlong, Meena Ryan, Samy Elkhatib, Fanny Dulin, Raul Fernandez, Juliet Dante, Chris Runciman , Soraya Spiers, and Jonathan Brandt

Three people on stage with musical instruments and red flags in the background. One person is seen from behind, wearing a white shirt. The other two people are facing forward, with serious expressions.
Silhouettes of people in a dark space illuminated by bright yellow stage lights.
A woman sitting on the floor, holding a microphone, and smiling. She is on a stage with dark background, decorated with flags and lights.
A woman smiling and reaching out with her arms, stands on stage with two red flags behind her. A man with a guitar stands to her right, and a person in the foreground is taking a photo.

Behind The Scenes
Episode 1: D-33

Behind The Scenes
Episode 2: casting

Behind The Scenes
Episode 3: By the actors

Behind The Scenes
Episode 4: Physicality

Behind The Scenes
Episode 5: music

Behind The Scenes
Episode 6: the set

Behind The Scenes
Episode 7: The Bunker Theatre

Behind The Scenes
Episode 8: a bilingual show

Behind The Scenes
Episode 9: backstage

Meena Rayann and David Furlong on London Live

Behind The Scenes Bloopers

second week feedback