Le Medecin Malgre Lui and The Doctor in Spite of Himself @ Bastille Festival

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★★★★ Everything Theatre
★★★★ The Upcoming
★★★★ Londontheatre 1
★★★★ MiddlePeg Review

David Furlong nominated for an Off West End award as BEST DIRECTOR !

The rarest play by Moliere presented alternately in English and French for the 9th Bastille Festival from the 21st June till the 13th July 2016.

directed by David Furlong

with Anita Adam Gabay, Jacqueline Berces, Fanny Dulin, Leo Elso, David Furlong, Matt Mella and Yanouchka Wenger Sabbatini

The show’s programme here

‘Rock and roll Moliere’
‘Excellent performances by the cast, and masterful comedic style.’
‘ Exchange Theatre’s version of Moliere is clever, very funny and well adapted for contemporary audiences’
The Upcoming.co.uk

‘The company’s talent and vision is highly commendable and deserving of larger production values; their commitment to bringing audiences high quality French theatre in intimate venues makes them one to watch.’ 
The play’s the thing UK

‘High voltage energy and clever direction, The Doctor in Spite of Himself entertains thoroughly. ‘ 
UK Theatre Net

Director’s note:

The Doctor in spite of himself is here in the UK, one of the least produced of Moliere’s plays, when comparing to The Misanthrope, Tartuffe or The Hypocondriac. Sganarelle makes life a living hell for his wife. He spends all their money in books and drinks to the point of beating her up. To avenge herself, she makes believe her husband is a doctor but who would only work after being beaten up.  And against all odds, this doctor, in spite of himself, performs miracles.

Le Medecin Malgre Lui was Moliere’s return to farces and one of his most succesful plays after trying for several years to be recognised for more serious and deep plays. Prior to these, Moliere, the leader of a travelling company that he took on the roads for ten years, sees himself as a popular entertainer, a village buffoon. Back in Paris, crowned by a national popularity, he was welcome beside the King’s brother, at the court and triumphed again with his trestles comedies. Transported by such a success, he started thinking of himself as a proper playwright and dared tackle some more mature and critical comedies with more dense reflexions. He was then submitted to a very harsh criticism and censorship from false critics, false devouts, all the pretenders he hated so much.

Actor, director, satirist at the top of his art, he wrote -in spite of himself- The Doctor, a farce, in order to regain success. He projected in the main character of Sganarelle – who is forced to lie to the world I order to regin credit – his own deception of not being able to be taken seriously by his more accomplished works. When his previous plays, almost philosophicals, dealt with existentialist matters, Moliere did not hesitate here to fall back into a great triviality. And the play was a absolute triumph. Moliere added a marvellous derisive take to the heritage of Italian Commedia Dell’Arte and defined French farces. Missunderstandings, comedy, wits, prank, mockery: the play’s success goes boeyond any other and offers Moliere an opportunity to even mock his own audience, whilst reflecting on his own creation. Unknowingly, he also defines the heritage of French comedies that would follow and will be studied for centuries in French classrooms, where mostly all the parts about scatology and sex will be kept silent…


Moliere said himself « comedies are only made to be performed. » Our production of The Doctor In spite of Himself not only offers a British audience the chance to see this rare classic comedy but also the opportunity to have a very contemporary and slightly chaotic look at the ‘upstarts’ from all time and at the mind of a genius, in a very true but contemporary version.

As part of the rehearsal, our research and development work on a Moliere produced in Shakespeare’s land, suddenly took us on some path we did not imagine. As if The Bard and his supernatural elements (as in the Tempest or Midsummer night’s dream) would logically have to appear and tease and poke at our classics. As a result, this production is the fruit of many months of work with the laughing energy from Moliere associated with the magic of Shakespeare. What a great exchange.

David Furlong


Produced in association with The Lycee Francais Charles de Gaulle and The Young Vic theatre workshop, at The Drayton Arms Theatre in South Kensington, London

– The Doctor in Spite of Himself (in English)
 21st, 22nd, 23rd June, 1st, 2nd, 5th, 6th, 7th and 13th July 2016

– Le Medecin Malgre Lui (in French)
24th, 25th, 28th, 29th, 30th June, 8th, 9th and 12th  July 2015

Book your tickets here

Full Bastille Week festival programme here

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